Analysis Of The Novel Frankenstein - 920 Words

The Role of Sickness in the novel Frankenstein A nasty cough and a fever to match strikes again. Everyone catches that routine seasonal cold, what an inconvenience. The consequences force one to miss out on social activities and work. While this might seem a privilege at the time, eventually sickness starts to feel like a punishment. All too familiar with illness, Victor Frankenstein, the main character in Mary Shelly’s novel Frankenstein, struggles to overcome this hardship. Unfortunate stressful events cause Victor to fall extremely ill, separating him from society and his responsibilities. The cause of Victor’s sickness correlates with the stress and worry he experiences due to the creation of the monster, while sickness foreshadows tragic future events throughout the novel. Victor uses sickness as a cover or â€Å"safety blanket† in order to escape the guilt and stress due to the creation of the monster. Confined to his sick bed, Victor’s family and friends do not expect him to take on any responsibilities or work. Sickness allows one to take a reprieve from society, and provides a universal excuse to stay at home, and take time for oneself until one feels up and well to face the world again. Victor struggles to comprehend the death and destruction his creation leaves behind, when he falls ill, time passes uninterrupted and Victor’s life and surroundings do not change. Consumed in his studies, and obsessed with the thought of creating the monster, Victor allows himself toShow MoreRelatedFrankenstein Novel Analysis Essay1664 Words   |  7 PagesMs. Ammendolia EWC4UI 10/13/17 Frankenstein Novel Analysis Frankenstein is partly an epistolary novel. In what way do the letters at the beginning of the text help frame the story that follows? The series of letters at the beginning of Frankenstein by Mary Shelley are from Robert Walton, and were sent to his sister, Margaret Saville. In each letter, Walton tells his sister of updates while he’s on one of many sea trips and to coincide with that, readers of the novel get a glimpse of the personalRead MoreAnalysis Of The Novel Frankenstein 1850 Words   |  8 Pagesgoing on for as long as anyone can remember. The discussion of whether characteristics are given to us innately at birth or that we exclusively grow and learn from our own personal experiences is an argument that will not seem to go away. In the novel Frankenstein both sides can be argued about the scientist’s creation, as he shows examples of each viewpoint. However, I believe that the society’s disregard toward Victor’s creation leads to the creature’s thirst for revenge. The creature shows throughoutRead MoreAnalysis of Frankenstein From Shelleys Novel to Branaghs Film563 Wo rds   |  3 PagesAnalysis of Frankenstein From Shelleys Novel to Branaghs Film Branaghs adaptation of Mary Shellys novel was fairly good with significant changes to Shellys text; however this was done to illuminate what he considers to be the major themes of the novel, eg the dangers of the relentless pursuit of science and Victors relationships. Victors love interest with Elizabeth in the film is much more intense compared to what is described in the novel as communication isRead MoreMary Shelleys Novel Frankenstein and Ridley Scotts Movie Blade Runner: A Comparative Analysis1193 Words   |  5 PagesBoth Mary Shelleys 1818 novel Frankenstein and the Ridley Scotts 1982 movie Blade Runner depict a bleak future about the fallen dreams of science. Blade Runner is based on a novel called Do Androids Dream of Electric Sheep by Philip K. Dick. 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The significance of this problem increases substantially under theRead MoreAnalysis Of Mary Shelley s Frankenstein And Caleb Williams 1168 Words   |  5 PagesIn A.D Harvey’s article â€Å"Frankenstein and Caleb Williams,† he explains that Mary Shelley’s famous work, Frankenstein; was not intended to be of any actual scientific evidence, but rather written just only with the intention of a gothic horror piece â€Å"we will each write a ghost story† (Frankenstein Author’s introduction vii). Harvey’s target is to reach out to the science community and to sway them to look past the mechanics of how Frankenstein’s monster is created and focus on other points of interestRead MoreMary Shelley and Flannery OConnor: Gothic Isolationists1724 Words   |  7 Pagestime period, gothic fiction ceased to be a dominant genre by the Victorian Era. However, in many ways it had now begun to enter into its most ingenious phase. This paper will analyze the influence of Mary Shelley’s novel Frankenstein on Flannery O’Connor’s work, specifically her novel Wise Blood. Flannery O’Connor emerged as a crucial and contemporary innovator of southern gothic literature. Southern gothic literature is defined as a subgenre of gothic fiction, which originated in the United StatesRead MoreAt First Reading Mary Shelley’S Novel Frankenstein Appears1709 Words   |  7 PagesAt first reading Mary Shelley’s novel Frankenstein appears to be part of the gothic or horror genre, but further examination of this novel reveals many concepts and perspectives that are related to other genres of English literature. Along with possessing various conceptual ideas this novel brilliantly highlights the characteristics of men, which many authors have credited Mary Shelley’s understanding of the opposite gender as exceptional. Throughout this novel there can be identified three maleRead MoreAnalysis of the Creation Scene from Mary Shelley’s Frankenstein and Kenneth Branagh’s 1994 Film Version912 Words   |  4 PagesAnalysis of the Cre ation Scene from Mary Shelley’s Frankenstein and Kenneth Branagh’s 1994 Film Version One of the key themes in Mary Shelley’s ‘Frankenstein’ is human arrogance. Frankenstein’s curiosity leads him to play the role of God. In a way Frankenstein is responsible for the monster and has ultimately become a father figure to the monster. Frankenstein abandoning the monster leads up to it turning evil and looking for revenge. Therefore, parenting is another themeRead MoreFrankenstein as a Gothic Novel Essay1332 Words   |  6 Pagesthese are elements of a Gothic novel. Though Mary Shelleys Frankenstein, written in the early 19th century, certainly contains many components of a Gothic novel, can it be correctly grouped under that genre? A definition of a Gothic novel; according to Tracy, is a description of a fallen world. We experience this fallen world though the aspects of a novel: plot, setting, characterization, and theme (De Vore, Domenic, Kwan and Reidy). As well, early Gothic novels have characterized themselves